The Bosshoss played a cover of the song during their 2010 "Low Voltage" tour. Track listing CDĬanadian electronic musician Peaches covered the song as a bonus track for her album Fatherfucker. It also won Video of the Year award (2003) from both Kerrang and Q magazine. The song was nominated for the Kerrang! Award for Best Single. Various phallic images appear throughout the video, such as a bell, a train entering a tunnel, a hamster running through a tube, and so on.
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The video depicts a series of Abraham Lincoln ('Gaybraham') look-alikes in the White House, portrayed primarily by the band's lead singer Dick Valentine, but stand-ins were used for some scenes.
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The music video, directed by Tom Kuntz and Mike Maguire, was recorded in April 2003 at a movie studio in Toronto, Canada. A radio version in Japan exists in which the same lyrics are replaced with "let's do an edit, do a radio edit". In the clean version of the song, the words "nuclear" and "war" (in the line "let's start a war, start a nuclear war") are cut out and a whip lash sound is used instead. (The actual lyric is "She's just the girl, she's just the girl, the girl you want".) Censorship Background and writingĪccording to Spencer/Valentine, the idea for the song came up from incorrectly hearing the lyrics of DEVO's " Girl U Want" as "it's just a girl, it's just a girl at a gay bar" while the song was playing in a very loud nightclub. While both the song and music video received significant airplay, lyrics mentioning war were edited due to their possibly offensive nature since the song made its air debut at the start of the Iraq War. Written by band member Tyler Spencer, under the pseudonym Dick Valentine, it was released in June 2003 as the second single from their debut studio album, Fire (2003). 25." Gay Bar" is a song by American rock band Electric Six. You can come see Electric Six play in your town on the I Wanna Lick The Screen tour, starting in their home state of Michigan on Sept. Bitch, Don’t Let Me Die is Electric Six’s brand new record for 2015 and it is available on Metropolis Records on Oct.
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Everybody gonna die someday, but with Electric Six’s new album, you no longer have to worry about any of it.
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To summarize, mortality is everywhere, and this fall, thanks to their new record Bitch, Don’t Let Me Die!, Electric Six will be everywhere too. In this case, we just end up laughing at death. It, like most of the songs on this record, is about death…but it’s kind of funny because it’s only about the death of a fake, out-of-shape drunk Santa Claus who is too fucking stupid to make it down the chimney correctly. “Big Red Arthur” is the anchor track of the album, as it emits a rock-opera bombast that is reminiscent of Radiohead sodomizing David Bowie in the center of his mind. From there, the album moves through the pop goodness of “Kids Are Evil” and “A Variation of Elaine”, the prog-rock showmanship of “Slow Motion Man”, and even a tribute to Elvis Presley in his more rotund years with “Dime Dime Penny Dime”. The album is steeped in themes of mortality, death, discorporation and discoloration…all while it tries to convince you it is actually a work of art, a labour of love.įrom the pounding, driving opener, “Drone Strikes”, through the 1970s guitar anthem “Two Dollar Two”, Bitch, Don’t Let Me Die! reveals that Electric Six knows that it is going to die, but will not go out quietly. No one more so…than Electric Six.Įlectric Six understands all this stuff as it prepares to unveil its eleventh studio album Bitch, Don’t Let Me Die!, which will be released on October 6 on Metropolis Records. No one wants to be forgotten rather quickly. If you don’t create art and you don’t love nobody…well then, you will be forgotten, rather quickly. Thusly, art and love are more important than ever, because they are now the conduits that preserve our life forces. Specifically, we tell ourselves that we can live forever, not in corporeal form, but through our creations of art…and our expressions of love. While aliens (and the government!!!!!) will always be there to kill us, we have for generations used our cold dead hands to clutch onto whatever silver lining we could sew into the dark cloud of our everlasting mortality. They will come to our planet with sinister intentions and they will immediately have the upper hand because we die…and they don’t.
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When extraterrestrials eventually make first contact with us within the next twenty years, the first glaringly obvious thing they will notice…is that we die. If not for our mortality, the number of years each of us would have to roam this earth would be as infinite as the sands of time running through the earth itself.
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It’s the primary reason we don’t live forever.